— don't let the lights go out

cleverbot is a computer program that simulates human conversation and scores high on its ability to fool users into thinking that they’re actually communicating with a human being. There are many possibilities and implications to explore for a program like this as a tool in the creation of narrative and dialogue. As interesting as it is to talk to cleverbot, however, it’s mostly like having a conversation with a William S. Burroughs cut-up made from the diaries of lonely teenagers.

1. digital novel

In a near future robots are a ubiquitous part of life and humanity has built a utopian society on the backs of robot labour. But one day something goes terribly wrong and now it’s up to one cop and his wacky robot partner to save the world from the robopocalyse. The story takes different routes like a choose-your-own-adventure, but decisions are guided by cleverbot’s responses.

“Lousy robots! They can’t be trusted. Oh… sorry cleverbot.”

“Elephant!”

Do you use an elephant, or decide you’re better off without one?

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In a desperate attempt to incentivize spending, the economically-struggling United States of North America introduced expiry dates to their currency in 2135 A.S.M. (After the Stock Market). So-called “Automated Teller Machines” dispensed money with such short expiration dates that their users had no choice but to spend their dollars in the adjoining establishment. A black market currency quickly developed based entirely on cartons of milk, whose own expiration dates offered a comparative grace period to shy investors.

Christopher Olson will have a cartoon appearing in Fantasy & Science Fiction, where Stephen King’s The Dark Tower and Robert A. Heinlein’s Starship Troopers were originally serialized. So, yeah, he’s kind of hot shit.

 

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Collect fragments of writing from authors that they have had to cut from poems and stories in the process of editing but still love. Take everything from full chapters to single lines and put it all together as one complete work. Credit everyone equally without distinguishing any of the contributions.

 

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A mechanism that takes inventory of the contents of your fridge and/or cupboards and analyzes for best combined meal option output. For best results, use with Star Trek food replicator.

Kerry Freek is an editor living in Toronto who also had this idea

 

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Time travel is possible and the rich and privileged are able to ‘sling-shot’ themselves into a future where things are better. The world of the present is a horrid place, that is barely hospitable, but things can always get better, and do, in the future! The irony is that sending everyone successful and famous into the future eliminates their influence on the present, preventing change and leaving earth devoid of talent and inspiration. All that matters is achieving enough wealth to get to the sunny future.

 

Christopher Harron is a dj in Toronto who makes music that sounds like this.

 

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A collective of artists who each pledge to design a sign for a particular homeless person in their area, with an emphasis on visually appealing designs and strong craftsmanship. The idea could potentially backfire, however, as the poor workmanship of homeless signs is in itself a signifier of the level of their need.

The fabulous Chris Olson.

 

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Plunder the archives for video clips of people yawning. Start with a video clip of a person yawning, but for 100 more clips, keep the yawn going. The one hundredth clip ends the extended yawn. Best with sound. Possible series are endless: hundred-long sneeze, hundred-long snore, et cetera.

Kerry is an editor living in Toronto. Once, a large man in small car drove past her slowly, making a prolonged whistle — a whistle so extended that it started to be eerie. She liked it.

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Politicians often employ a “religious litmus test” on prospective candidates for office, but what if there really was a litmus test for god? Would you dip it in holy water?
Is The Shroud of Turin a kind of litmus test for faith? Do those with strong faith in the existence of the Christ see the face of the one true god, while those without religion see only a smudge on a carbon-dated piece of cloth?
Chris Olson is a man with many great ideas
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“shitting faces” is a visual arts project which is deliberately open to interpretation. In the grand sense, it is merely the interpretation of what an art show/exhibition entitled “shitting faces” would be, but the idea was created around the idea of investigating people’s emotions and appearances in a setting normally considered uber-private and unmentionable. In essence and in its original sense, “shitting faces” was to be a portrait series of people’s faces while they are shitting – pretty self-explanatory. However, it could (and should) be interpreted/executed in multiple ways, and here are a few which I have thought of, each of which appeals to me in a different way. I hope there are many more.

  • Literally. Photographs of faces whilst shitting. Either in a professional way or in an extremely obtrusive, invasion-of-privacy, papparazzi style (breaking in on people in public or private bathrooms) – obviously one of these interpretations is more socially acceptable than the other.
  • Humourously. Photos or illustrations of faces in various states of ecstacy, agony, fear, joy, relaxation, sadness, etc. under the banner of “shitting faces.” Frankly, I have no idea what people are thinking and feeling while they defecate, so I am forced to assume that the possibilities run the entire gamut of human emotion.
  • Images of faces emerging from anuses.
  • Images of anuses emerging from faces.

Paul Weadick is a wannabe student, wannabe musician, wannabe artist, wannabe comedian, wannabe bisexual, and wannabe drag queen who resides in Toronto, Canada.

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In a dystopic future in which food is scarce and people subsist almost entirely on a nutrient rich sludge that tastes like cardboard, people satiate their taste buds with a lollipop-shaped device which simulates flavour when placed on the tongue—except for “savoury,” which still remains the “holy grail” among flavour programmers.
The most prolific of such devices is produced by FLAVR Enterprises™, which currently corners the market on six continents—The United States of Africa still being under Dominion control, and thus under an embargo by the first Earth Empire.

Christopher Olson is a freelance journalist in Montreal, Quebec. He also writes and illustrates the microfiction comic “Tremendous Tales” which currently runs in The Link Newspaper, and has hopes of getting syndicated. He recently wrote this article about don’t let the lights go out.

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